Monday, 6 September 2021

Wednesday, 1 September 2021


With environmental issues being so important,

the biggest plants on our planet, namely TREES,

are especially topical and special. As they produce 

oxygen, store carbon, stabilise soil, provide 

wildlife habitats, plus not to mention, give us 

the raw materials for tools, materials and shelter!

And so, on the subject of Trees, I am delighted to 

announce that this:

Friday (3rd September) at 6pm

I have been asked by CHALMERS GEMS to 

demonstrate how I create Wire Trees, not for 

jewellery making, but for small scale sculptural 


The demonstration will be live on Chalmers Gems

Facebook page. So please feel free to join 

us to share in this fun, wirework experience and

check with Chalmers Gems when they go

LIVE on this link.

Chalmers Gems supply a very comprehensive

choice of beautiful base gemstones for all your

jewellery needs, plus base stones for the

trees to sit on. These will all be on offer and

ready to purchase on Friday from their website.

Please do follow them on Instagram too, where

they do regular 'live' events and sales!

In the past, I have created wire trees using glass

beads or crystals and set them onto to wood

slices, however, when you're using gemstone

chips for the 'blossom', a gemstone base will 

give the tree that extra elegance, plus add an

essence of quality, rarity and beauty. Also, if 

you're into the healing aspect of 'stones', then 

it adds extra symbolism and energy to your 

hard work!

Above, is a tree created on a beautiful raw piece 

of black Tourmaline from Chalmers Gems

The blossom is a mixture of gemstone chips: 

Garnet, Moonstone and Peridot.

The base on the tree above is, Chrysocolla and

the blossom is a mixture of multicoloured Beryl.

This smaller tree (above) is wired onto a Fuschite 

gemstone base with Amethyst blossom.

A full instructional video is available on my 

YouTube Channel: Linda Jones Wire Jewellery. 

Thursday, 5 August 2021

The Art of Simplicity

"Simplicity is the keynote of all true elegance." Coco Chanel

"Simplicity is the ultimate form of sophistication." Leonardo da Vinci

Those two quotes resonate with me when I'm designing. The ability to simplify, 

can help you to create a stronger visual piece, as you're eliminating the 

unnecessary 'fluff', enabling the necessary to speak! Just as I'm sure, you've 

often heard the phrase: Less is More!

So carrying on with that vibe, I thought I would share the simplest of tutorials. 

This will help if you haven't picked up your pliers in a while, or if you're new 

to fiddling with wire! 

As most of us are going to be enjoying a 'staycation' this year, or perhaps are 

quarantined with too much time to fill, this summer project just requires some 

wire that's not too thin: I have used 1.6mm aluminium, because it's soft, light 

and very easy to manipulate.


Depending how large you wish your pendant to be, 

find a circular object to wrap your wire around, thereby

creating a full circle. Cut the wire off from the spool, 

leaving the ends overlapping on each side.


Place your round nosed pliers at one end and create 

a circle.


Hold the circle in your flat nosed pliers and continue

curling the wire around into a spiral, leaving a small

projecting tail at the very end.


Using your round nosed pliers, curl the projecting 

tail into a link at the top of your spiral.


Place your spiral onto a steel block and gently hammer 

to flatten and work harden.

STEP 6 (optional)

If like me, you have used a thick gauge wire, you can

choose to texture the surface with the small dapping 

head of the Whammer hammer. (If the wire curls up, 

flatten it back down with the nylon head).


Depending on how simple you wish to make the 

pendant, you can just secure 0.4mm wire around 

the top two wires. This keeps it from misshaping, 

or opening up when worn.

STEP 8 (optional)

If you wish, you can continue weaving whatever 

0.4mm wire you have left ... or, you can wire in a bead, 

or small seed beads within the spaces at this stage.

STEP 9 (central bead feature)

You can choose to leave the centre of your spiral

(A) as is, or (B) glue in a small flat backed crystal, 

or as above (C) and following on with steps 10-13, 

thread a bead with 0.8mm wire, forming a small 

spiral at one end.


Flatten the spiral onto the bead, pulling the excess 

wire straight at the back.


Thread the bead stem through the central hole of 

the spiral (with the bead on the front side).


Create a spiral with the 0.8mm projecting wire (at the back of 

the bead), bringing it tightly up towards the centre of the spiral.


Flatten the small spiral against the back of the bead and 

centre of the pendant. (*For extra security, you can always 

add a dab of glue to prevent the bead from moving around.)


Et voila! A very simple necklace pendant that just

needs popping onto a chain with an extra jump ring!

This design also looks great created as earrings!


During this very strange, unsettling and 

difficult year, I have created many pieces 

of jewellery and if you follow me on 

Instagram(lindajoneswirejewellery) you will 

see them all and more!

So if you need a spark of inspiration for 

more summer pieces to make, below is a gallery 

of my latest work. 

I hope that you enjoy! 


It's good for your wellbeing!

Please do also feel free to ask for any advice 

with techniques, or project suggestions. I 

always love to help if I can! 

Tuesday, 16 February 2021


I often get asked, how do I come up with new ideas for designs?

And over the years, I have used a few different tactics.

Each artist will find their own methods, but I thought as it's 

definitely not easy to get ideas flowing when you're feeling low 

and your creativity channels are blocked with worry and anxiety, 

that I would try and share some of the techniques that I use to find 


In this isolated 'lockdown' world, it's especially important, 

when your vision can be blurred with the buzz of your mind and 

your life can feel narrow and suffocating.

So here is a potted and simplified process of what I do, and I do 

hope that it can help you too?


To begin your design selection you need to have a starting point 

and below I have listed 4 different ways that you can do this. Try 

not to be led by fashion trends, as some of your more original and 

exciting ideas will come from your unique personal taste and style.  

Read through each of the points first, before you decide which one 

feels right for you.

1) Flick through some old magazines and cut out anything that has 

an aesthetic appeal. It can be a landscape, a beautiful colour 

combination in a fabric design ... you name it! Just cut it out and 

paste it to an A4 page (like making a collage), or put it in a binder 


2) Walk around your house, garden or local area with your creative 

antennas at full alert and take snapshots with your 'phone camera of 

ANYTHING that triggers your imagination! It can be a wallpaper pattern, 

curtain or carpet design, moss on the bark of a tree or an unusual door 


3) Choose your favourite historic style, such as Egyptian, Celtic, 

Art Nouveau, Deco, Industrial, or natural forms, such as leaves and 

flowers, etc... Any favourite personal topic will do! Then make a 

'search' of that subject online on Pinterest. There, you will find enough 

images to 'fill your boots'! Select and save the ones that directly appeal 

most to you and put them in a new Pinterest folder that you can call: 

P.D.I. (Personal Design Inspiration).

4) Look at your stash of beads and gemstones and find one, stand-out 

focal piece to use as your inspirational muse!

Once you have picked one of the starting points, you should have a 

good selection of images to put in your creative pot. My advice is to 

be careful not to spend too much time researching and pooling 

images, as you can get a brain overload!

Look at all the images you've collected and 'go with your gut', picking 

the ones you are drawn to most. Try and narrow it down to 2 or 

3 favourites and through the next development process, you should 

be able to narrow it down even further.


Once you've chosen your topic, you now need to question what it 

is that appeals most strongly to you about it? This will be personal 

to you, based on your background, experiences and conditioning. 

It's a bit like a self-quest! So, grab yourself a pen and paper and 

with your images or topic clear in your vision and mind, scribble 

down the answer to the following questions:

-    Why have you chosen this image (or images)? 

    Is it for Shape?

    Is it for Colour?

    If you put a magnifying glass to your image, which area 

or part most appeals to you?

-     Is there a Pattern?

    Is there Texture?

    A Contrast of Shapes?

    Symmetry or Asymmetry?

If you like sketching, you could doodle and draw anything that 

randomly comes into the mind, but it's not essential, as once 

you have scribbled down a series of words (from answers to 

the above questions), you will start to see a developing theme 

of elements and a pattern of key words that you can use to 

start planning your design.


You should now have a sub-subject from your topic and be 

more in touch with why you have selected it (visually, as well 

as emotionally).

Your next decision is 'what would you like to make'?

    A necklace, earrings, brooch, or ring?

    Who is it for? A friend, family member or yourself?

    What technique and materials are you going to use. 

You can also choose a new technique that you've been 

wanting to learn as there are plenty of YouTube tutorials that 

you can learn from online!


Once you've narrowed down the style and piece that you're 

making, take a look at your stash of materials and see if 

you can improvise with the beads, wires and tools that you have.  

The beauty of wirework is that you don't need any findings, as 

you can create your own ear wires, chains, bails, clasps, 

bead and stone settings, as well as framework structures!

Obviously, you can be held back by your experience and 

knowledge, but as a self-taught wire-worker from the dinosaur 

age, I know that experimentation and practice will get you 

there in the end! There's never an end to learning!


As this is The WireWorkers Guild, we're concentrating 

on designing a wirework piece, which means you will be 

more limited, than if it were metalwork, or silver-metal 

clay, etc... 

Your piece should try to incorporate the essence and elements 

of things you've drawn from in the development process. 

It must be your own personal interpretation of your topic. 

So, with that in mind, check that your design reflects the 

COLOUR (or colours) of your topic, the flow of LINE and 


Another aspect of your check list is to question, if it's 

proportionally BALANCED as well as FUNCTIONAL 

and wearable!

That's the theory of the creation process. And having 

said all that, my last bit of advice, is that when you're 

constructing your piece, don't worry if a few things go 

off in a different direction! Just improvise and 'go with 

the flow'. That's usually how you come up with your 

best and most original work!

If you're still feeling as creatively blocked as you were 

before you started reading this ... just send me an email: 

and tell me where you're stuck (having outlined as much 

as you can from the above) and for FREE, I will try and help 

to propel you to the next stage of your design!

I do hope that this very simplified outline, can help you to 

jump-start your next fun wirework project!


Having said all that, I thought I would show you how I can 

use that template to trigger a design! The above chunky 

statement necklace "The Ocean", was created in 30 minutes, 

just before I posted this.


I have had this Labradorite stone sitting on my workbench for a while.

It's got a beautiful chatoyancy, with lovely blue flashes, but sadly it arrived 

with a crack and is damaged! So I can't use it in a piece to sell, or give as a gift. 

But, as I love the stone and colour and can't bear to see it sitting around for 

years, I have chosen this as my focal topic and STARTING POINT for 

a design. It's to be made for me, to suit my style and personality.


When I asked myself, why I love and choose this stone? 

Apart from the fact, that I love Labradorite! I also wanted to

use it because it had impurities and flaws, just like me! 

I also love the colour, because it reminds me of the Ocean and

memories of seaside holidays (that we can longer have in a 

pandemic!). So I looked in my stash for anything else that would

reflect, or have elements of the sea and colour and found this

Abalone shell (which had been sitting there for 4 years!). I felt 

that this shell could be the perfect background and housing for my 

damaged Labradorite stone, as it was the just the right size to nestle

within it! And as it was a similar colour, that could be helpful in

deflecting the defects of the stone, as well as representing the 

'Ocean' theme that I was aiming for.


The Labradorite had been drilled, so I could thread it with wire,

but the Abalone shell had nothing. So I drilled 2 holes in the shell

for attachment purposes.


Here's the shell from the back! Where I pushed the wire through.


Having realised that 2 drill holes at the top wasn't going to be 

enough for security, I drilled 2 more and crossed the wires over and 

back through, to be able to cradle the stone within the shell.


Now that the top was held in place, I wanted to use the 

remaining wire to cover the flaws and cracks of the stone 

as well as secure it in its place.


And as my theme is the Ocean, I used loops to represent waves,

bubbles and foam of the sea with my wire on one side, in order 

to hide and cover the central cracks on the front of the stone.


And I continued with the loopy wire theme on 

the opposite side ...


The ends of the wire were secured on each side, with

one side wire ending in spiral curl (of a wave).

Next, I thought about suspending it from a chain, but as it's

such a chunky piece, it looked out of proportion. So, I found 

this yachting cord in my stash (but, if I had time, I could have 

created a black braid using the Kumihimo technique, or just 

plaited some long black shoelaces!).


To add a clasp to this chunky cord, I taped up the ends with
black electrical tape (but any tape will do!), so as to prevent  
the ends from fraying any further.


Using a pin, I poked a hole through the tape and cord 

of each end, which gave me a hole to thread it with 

0.8mm wire. 


I then wrapped one wire around the other to secure,

leaving one wire projecting at each end.


As I needed to hide the taped area at the end of the cord, 

I created 2 coils of wire (with tails) that could slide over

the cord ends.


To make the coil covers (or end caps),  I spiralled the projecting wires in 

towards the top of each of the coils and flattened them back on the top, 

like a lid.



Following that, I threaded the projecting end wires through the 

central hole of each of the coiled end caps, so that they covered the 

taped areas of the cord.


I threaded one more blue bead on each wire (to bring in blue 

of the sea) and created one larger wrapped loop (for a clasp end)

and a smaller one to attach the hook end of the clasp.


Then, I made a clasp out of wire and attached that with a

jump ring to the smaller wrapped loop.


Following that I secured the shell- focal piece to the centre of my 

cord using another length of 0.8mm which I attached to the crossed 

over wires at the back of the piece.


Finally, I glued a small flat backed crystal to the centre
of the wire spiral (to represent sparkling water!)
And now it's ready to wear!

I can only apologise for this long and stodgy step-by-step tutorial,

but I felt, that if I walked you through the entire process in from start 

to finish you could see how my pieces (and yours) can evolve on a very

intuitive level!